65MM / 15 PERFORATION

THE LARGE‑FORMAT
CAMERA

A machine built to capture cinema at its largest scale.

02 — THE FORMAT

FIFTEEN PERFORATIONS
PER FRAME

Fifteen-perforation large-format film moves more than five feet every second. Its scale creates extraordinary image detail — and extraordinary mechanical noise.

The transport is built around a rotating shutter, a registered pin-locked gate, and a magazine holding roughly three minutes of film per load.

Body weight: 0kg
Dimensions: 0×310×386 mm
Frame width: 0mm
Magazine: 0ft / 3 min
Transport speed: 0ft / sec
Draw: 0W @ 24 V
Mount: LF‑65 / 54 mm flange
Latitude: 0stops

03 — EXPLORE

EVERY SURFACE
IS A DECISION

Drag to rotate. Hover a marker to inspect the assembly beneath it.

04 — COMPONENTS

TWENTY‑FOUR
ASSEMBLIES

Scrolling down separates the camera. Scrolling up reassembles it.

05 — INTERNAL ENGINEERING

THE SECTION
CUT

A clipping plane sweeps the body. Power flows from the battery through the regulation board; air moves from the intake vents across the heat sink and out of the rear plenum.

Power path
Cooling airflow
Film path

06 — CONNECTIVITY

THE PORT
BLOCK

07 — OPTICAL SYSTEM

80 MM
T2.0 PRIME

Nine elements in six groups. A fourteen-blade iris. Focus and iris rings drive through hardened helicoids with witness marks cut into the barrel.

FOCUS2.4 m

IRIST2.8

COVERAGEØ 82.1 mm

08 — VIEWFINDER

MONITORING
TOOLS

The reflex module feeds a 1500‑nit monitoring panel. Every tool below is computed live from the rendered frame, and takes effect in the shooting section that follows.

09 — RECORDING SYSTEM

ROLL
CAMERA

Engaging the transport spins up the movement, drops the tally, and starts drawing film off the feed side.

RUNNING00:00:00

FILM1000 ft

SPEED24.000 fps

TEMP31.4 °C

BATT25.9 V

DRAW3.90 A

10 — SHOOTING MODE

NIGHT EXTERIOR / SEA

LENS PAN TILT FOCUS IRIS EXPOSURE KELVIN

REFLEX VIEWFINDER — LIVE

65MM 1.43:180 MM · T4.0STANDBY

11 — FORMAT COMPARISON

MORE FRAME,
MORE INFORMATION

The same lens, the same distance. Only the gate changes.

LARGE FORMAT70.4 × 49.1 mm

65MM52.5 × 23.0 mm

35MM21.9 × 9.2 mm

Negative area 3457 mm² — 17.1× the 35mm anamorphic frame.

12 — THE NOISE PROBLEM

SIXTY‑ONE
KILOGRAMS

Large-format film moves fast, and fast film is loud. The solution is a heavy acoustic enclosure engineered to make dialogue recording possible.

Bare transport: 0dBA @ 1 m
Enclosed: 0dBA @ 1 m

13 — THE MIRROR SOLUTION

FOLDING
THE EYELINE

When the acoustic enclosure blocks direct eyelines, a twin-mirror system can redirect the actors' view while the camera remains between them.

Sightline path

12 — IN USE

TWENTY‑SEVEN
KILOGRAMS

Every mounting position begins with the same two 15 mm rods and a bridge plate rated well past the body mass.

13 — BUILD QUALITY

AT ONE
CENTIMETRE

Woven prepreg, anodised alloy, cut knurling, and glass. Rendered, not photographed.

14 — SPECIFICATIONS

THE FULL
SHEET

0+feet of film exposed

0countries photographed

0complete feature captured in large format